Born in 1982, Soviet Union; Lives and works in New York
Education
2010 M.F.A., Bard College, Annandale-on-Hudson, NY
2004 B.F.A., School Of Visual Arts, New York, NY
2003 Goldsmiths College, University of London, UK
Solo and Two Person Exhibitions
2018 Between States, Konrad Fischer Galerie, Berlin (solo)
2016 You be Frank and I'll be Earnest, curated by Kyla McDonald, Glasgow Sculpture Studios, Glasgow, UK
2015 Conflict (process), 47 Canal, NY (solo)
2014 CONTACT, Alisa Baremboym & Gregory Edwards, The Fireplace Project, East Hampton, NY
2013 shape sweat: detox vision, The Vanity, Los Angeles, CA (solo)
2012 Abundant Delicacy, 47 Canal, NY (solo)
2011 Alisa Baremboym + Skuta, curated by Rose Marcus, SHOW ROOM 170 Suffolk St., New York, NY
Select Group Exhibitions
2020
Aurora Biennial curated by Noam Segal (forthcoming) Dallas, TX
2019
What Beauty Is, I Know Not, curated by Kasper König, König Gallerie, Berlin
Beyond the Skin, Museum Villa Rot, Burgrieden, Germany
2018
Alisa Baremboym and John Finneran, Selected Works, 47 Canal, New York
Destruction of Pleasure, curated by Lea Cetera, Agency, Brooklyn, New York
2017
Back to Mulholland Drive, La Panacée, Montpellier, France
The shape left by the body, The Sunday Painter, London, UK
Crash Test, curated by Nicolas Bourriaud, La Panacée, Montpellier, France
Rest in the Furrows of My Skin, Kunsthaus Hamburg, Hamburg, Germany
Mutations, High Line Art presented by Friends of the High Line, the High Line, New York, NY
Laurel, curated by Tatiana Kronberg, Brooklyn, NY
2016
Untitled Body Parts, Simone Subal Gallery, New York, NY
Real Things About Real Things, American Medium, Brooklyn, NY Liverpool Biennial 2016, Liverpool, UK
2015
Earth Machines,Curated By Ceci Moss, YBCA, San Francisco, CA
Memory Palace, Alisa Baremboym & Seung-Min Lee, Curated By Tamar Margalit, Luxembourg & Dayan, NY
THEM, Schinkel Pavillon, Berlin, GE
DIDING An Interior That Remains an Exterior?, Künstlerhaus, Graz, Austria (Cat.)
Lands’ End curated by Dena Yago, Bodega, New York, NY
Mending Wall curated by Alexis Rose, The Pit, Los Angeles, CA
2014
The Great Acceleration, Art in the Anthropocene, curated by Nicolas Bourriaud, Taipei Biennial, Taipei
That Obscure Object of Desire, Luxembourg & Dayan, New York, NY
Sequence 5, Miguel Abreu Gallery, NY
Phantom Limbs, Pilar Corrias, London
Wanton Mobility, Klemm's, Berlin
The Stanley Parable, Elaine Levy Project, Brussels
Art Post-Internet, Ullens Center, Beijing, China
Shirts vs. Skins, New Gallerie, NYC
The Cardboard Lover, American Contemporary, NYC
2013
Speculations on Anonymous Materials, Museum Fridericianum, Kassel, DE
Cookbook, Palais des Beaux-Arts, Paris, FR
M/L Artspace Presents: Under the BQE, in collaboration with Gregory Edwards, curated by Marie Karlberg and Lena Henke,
September 28th, 2013, NYC under the BQE
Alisa Baremboym / Gregory Edwards, Petrella's Imports, Suzanne Geiss, New York, NY
Reverse Engineering, curated by Bill Powers, The Fireplace Project, East Hampton, NY
Hello Goodbye Thank You again, and again, and again,
Curated by Anthony Huberman, castillo/corrales, Paris, FR
ProBio curated by Josh Kline, EXPO 1: New York, MoMA PS1
Untitled (Hybrid) Curated by Kate McNamara, Robert Miller Gallery, New York, NY
IT-THOU, Michael Thibault Gallery, Los Angeles, CA
Independent, NY
2012
A Disagreeable Object, curated by Ruba Katrib, Sculpture Center, L.I.C., NY (Cat.)
GRAN PRIX, Curated by Gresham's Ghost, Nudashank, Baltimore, MD
The Art of Cooking, curated by Hanne Mugaas, Royal/T, Los Angeles, CA
TEN TEN, Curated by Jason Lee and Alexander Shulan, Jason Alexander, NY
Looking Back / The 6th White Columns Annual, selected by Ken Okiishi and Nick Mauss, White Columns, New York, NY
2011
Foot to Foot, curated by Margaret Lee, Regina Gallery, London, UK
Step and Repeat, Toomer Labzda, NY
Chain Letter Show, Curated by Christian Cummings & Doug Harvey, Shoshana Wayne Gallery, Los Angeles, CA
White Columns 2011 Benefit Exhibition, White Columns, NY
How Do You Do, organized by Margaret Lee, Noma Gallery, San Francisco, CA
2010
179 Canal/Anyways, curated by Margaret Lee, White Columns, NY
Real Nonfiction, curated by Baseera Khan and Jon Lutz, BRIC Rotunda Gallery, NY
36 Dramatic Situations, LOUIS V.E.S.P., NY
Alisa Baremboym/Thomas Torres Cordova Graham Anderson/Caitlin Keogh, 179 Canal, NY
Guilty Feet, curated by Tova Carlin and Colby Bird, 179 Canal, NY
2009
neverANDagain, curated by Elissa Levy, I.S.C.P., NY
Why and Wherefore, curated by Josh Klein, http://www.whyandwherefore.com/
MFA Thesis Exhibition, Bard College, NY
Candygrammar, curated by Michael Wilson, 999 Metropolitan Ave, Brooklyn, NY
Nobodies New York, curated by Josh Kline and Margaret Lee at “The Month of May” 179 Canal, NY
2008
I Moscow International Biennale for Young Art, Moscow Museum of Contemporary Art, Moscow, Russia
Poster Project: Nine Things, curated by Devon Costello,Nine Things, Frankfurt, Germany
Cube, Passerby 2008, curated by Michael Caputo, Gavin Brown Enterprises, Passerby, NY
2007
Poster Project, Participant Inc., NY
2006
Poster Project, curated by Devon Costello and Ilya Lipkin, Kantor/Feuer Window Space, NY
Two Friends and So On, curated by Jonathan Horowitz, Andrew Kreps Gallery, NY
2004
Poets of Miniature, curated by Clifford Borress, Office Ops, Brooklyn, NY
Projects
Artist of the Month Club - June 2011 Edition, Invisible Exports, NY
Collaboration with Margaret Lee for NADA, Miami Beach 2010
Con Verse Sensations, Taxter and Spengemann, NY 2009
Circular File Channel, Performa 2009
Poster Project, Printed Matter Bookstore, NY 2007
Recipe Book for Downtown, curated by Adam Kleinman, Lower Manhattan Cultural Council, NY 2006
Bibliography
Noam Segal, CURA 36, 2021
Harry Thorne, “Critic’s Guide: Glasgow The frieze digital editors select their highlights from the Glasgow International Festival,” Frieze, April 13, 2016
Kirsty Bell, “Glasgow International,” Art Agenda, April 13, 2016
“Seventh Heaven,” Art Forum, April 2016
Simone, Subal, “Untitled Body Parts,” Art in America, January 2016
Greenberger, Alex, “Untitled Body Parts’ At Simone Subal,” Art News, January 22, 2016
Murakami, Kenta, “Digital Worlds Stretch the Limits of What’s Possible,” Hyperallergic, January 15, 2016
Mclean-Ferris, Laura, Issue 1 of Even Magazine, May 2015
Topical Cream Magazine, Conflict (process), April 2015
Art in America, Exhibitions, The Lookout, March 26, 2015
Graf, Jodi, "Lands' End" Brooklyn Rail, March 5, 2015
Mclean-Ferris, Laura, "'In Focus: Alisa Baremboym'" Frieze Magazine, January, 2015
Tinari, Philip, “Gwangju Biennale and Taipei Biennial,” Artforum, January, 2015
Berensten, Mirthe Maria, “‘Wanton Mobility’ at Klemm’s,” Modern Painters, October 2014
Landes, Jennifer, "Circuits and Sparks at Fireplace," The East Hampton Star June, 2014
Galleries-Uptown, "That Obscure Object of Desire," The New Yorker, September 1st, 2014
“That Obscure Object of Desire’ at Luxembourg & Dayan, New York,” Mousse Publishing, September 27, 2014
Mclean-Ferris, Laura, "'The Great Acceleration:Art in the Anthropocene'" Art Agenda, September 15, 2014
Busta, Caroline, "Taipei Biennial 2014 'The Great Acceleration'" Artforum, September, 2014
Pertson, Hili, "Critics' Picks Berlin," Artforum.com, 2014
Charlesworth, JJ, "Phantom Limbs," art agenda, July 10, 2014
Hugill, Alison, "Wanton Mobility at KLEMM's," Berlin Art Link, July 07, 2014
Gentles, Tim, "Opaque Solutions: An Interview with Alisa Baremboym," Art in America, Feb. 24, 2014
Nedo, Kito, "DIE KUNST DER DIGITAL NATIVES," Art-Magazin.de, January 2014
“The Artists’ Artists,” Artforum, December 2013
McGarry, Kevin, "The Insider: Katerina Llanes of the Pérez Art Museum Miami on How to Navigate Basel," T Magazine, December 6, 2013
Kirsch, Corinna, "The Official Art Basel Miami Beach Slideshow and Commentary," Artfcity Online, December 6, 2013
Archey, Karen; Wiley, Chris “Beginnings + Ends,” Frieze, No. 159, November 2013, P. 126 and p. 127
Katrib, Ruba, "Hyper-Materiality," Kaleidoscope, Summer 2013, p. 56
Smith, William S., Art in America online: “ProBio: New York, at MoMA PS1,” Art in America Online, October 8, 2013
Kim, Eric, "'shape sweat: detox vision' at The Vanity, Los Angeles," SFAQ Online, April 5, 2013
Hongyi, Zhao, “Art for an Internet World,” Beijing Today, March 2014
Kollak, Ginny, "Independent," ArtAgenda, March 8, 2013
Katrib, Ruba, "Sculpture," Take on Art, Vol 3, Issue 9, 2012, p. 53
Chamberlain, Colby, "A Disagreeable Object," Artforum, December 2012, p 278
Rosenberg, Karen, "A Throwaway? Not From This Angle," New York Times, October 5, 2012, page C30
Bomb Magazine “Portfolio,” Summer 2012
Davis, Ian MacLean, http://www.bmoreart.com/2012/12/gran-prix-reviewed-by-ian-maclean-davis.html
Bilsborough, Michael, "Freshly Fishy," April, 2012 http://ceblog.sva.edu/2012/04/freshly-fishy/
A.M.C.: Interview with Michael Bilsborough
Carlin, T.J., “Graham Anderson/Caitlin Keogh and Alisa Baremboym/Thomas Torres Cordova,” 179 Canal, NY, ArtReview, Issue 42, May 2010
Popova, Julia, http://www.expert.ru/printissues/expert/2008/28/soberi_idealnoe_iskusstvo/
Velasco, David, “Team Player,” Artforum.com, January 5, 2007
Birnbaum, Molly, Art Talk: Urban Flavor, ArtNews, December 2006, p. 38
Schmerler, Sarah, Two Friends and So On, Time Out New York, July 20-26, 2006 p. 65
Saltz, Jerry, “Our Crowds: A two-headed butterfly flapping its wings,” The Village Voice, July 12-18, 2006 p. 54