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Opaque Solutions: An Interview with Alisa Baremboym, by Tim Gentles, Art in America


Hyper-Materiality, Kaleidoscope magazine interview by Ruba Katrib with Alisa Baremboym and Pamela Rosenkranz



Upcoming:

CONTACT, Alisa Baremboym & Gregory Edwards, The Fireplace Project, East Hampton, NY

The Great Acceleration, Art in the Anthropocene, Taipei Biennial, Taipei

That Obscure Object of Desire, Luxembourg & Dayan, New York, NY

Currently:

Sequence 5, Miguel Abreu Gallery, NY

Phantom Limbs, Pilar Corrias, London

Wanton Mobility, Klemm's, Berlin

The Stanley Parable, Elaine Levy Project, Brussels



Syphon Solutions, 2013
Archival pigment inks on silk, ceramic, vinyl, gelled emollient, latex tubing, bungee cable,
combination release buckle strap, tubular webbing, magnets, hardware
Dimensions variable


Adaptic Systems, 2013
Mangled steel, archival pigment inks on silk, ceramic, flat bungee, tinted vinyl, syphon sieve, magnets, hardware
47 x 30 x 16 inches
photo courtesy contemporary art daily





Past:

Art Post-Internet, Ullens Center, Beijing, China

Shirts vs. Skins, New Gallerie, NYC

The Cardboard Lover, American Contemporary, NYC

Speculations on Anonymous Materials, Museum Fridericianum, Kassel, DE

Cookbook, Palais des Beaux-Arts, Paris, FR

M/L Artspace Presents: Under the BQE, in collaboration with Gregory Edwards, curated by Marie Karlberg and Lena Henke,
September 28th, 2013, NYC under the BQE


Reverse Engineering, curated by Bill Powers, The Fireplace Project, East Hampton, NY

Alisa Baremboym / Gregory Edwards, Petrella's Imports, Suzanne Geiss, New York, NY

Hello Goodbye Thank You again, and again, and again, curated by Anthony Huberman, castillo/corrales, Paris, FR

ProBio curated by Josh Kline, EXPO 1: New York, MoMA PS1



Syphon Industries, 2013
Archival pigment inks on silk, gelled emollient, ceramic, steel, vinyl, tubing, hardware



Porous Solutions, 2013
Ceramic, custom webbing, hardware, gelled emollient, mylar, archival pigment inks on silk, magnets, bent steel






Travel Impression, 2013
Ceramic, travel waist pouch, flat bungee cable, steel







shape sweat: detox vision, The Vanity, Los Angeles, CA


poster design by Ania Diakoff





shape sweat: detox vision installation, The Vanity, Los Angeles
















the vanity

shape sweat : detox vision

customized remnants
 ghost impressions
  strainer hardware for your soft
porous drains
 adapters for adapting
  outer silks
  re-strained wardrobe choices
   gear for the grind
remains of another
 transcription
  of our tubular constraints







Independent
47 Canal
March 7-10, 2013





Torque, 2013



A Disagreeable Object, Sculpture Center, L.I.C., NY
Sept 15 – Nov 26, 2012



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Leakage Industries: Clear Conduit, 2012
Gelled emollient, bisque fired ceramic, usb cable with gender changers, flash drive, hardware
40h x 48d x 32w inches


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Leakage Industries: Strainer, 2012
Archival pigment inks on cotton and silk, gelled emollient
60 x 44 inches



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Leakage Industries: Soft Screw, 2012
Galvanized steel, glazed ceramic, gelled emollient, auger worm, silk gauze, hardware
37h x 12d x 60w inches


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Installation with Bedpan, 2012
Glazed ceramic
14 x 11 1/2 x 3 1/2 inches

















GRAN PRIX, Curated by Gresham's Ghost, Nudashank, Baltimore, MD
Nov 16 – Dec 16



Untitled, 2012
Ceramic, combination release buckle straps
21 x 16 x 3 inches




Untitled, 2012
Ceramic, USB cable, gender changer
11 x 7 x 5 inches
















Abundant Delicacy, 47 Canal Street, NYC
April 4 – May 13, 2012



          Grinder Gears, 2012Grinder Gears, 2012 Archival pigment inks on cotton and silk
60 3/4 x 40 1/2 in
Pallet, 2012Pallet, 2012 Archival pigment inks on cotton and silk
65 1/2 x 40 in
Bedpan, 2012Bedpan, 2012 Glazed ceramic
14 x 11 1/2 x 3 1/2 in
Tiny Sausages, 2012Tiny Sausages, 2012 Archival pigment inks on cotton and silk
12 3/8 x 16 1/2 in
Beet Pallet, 2012Beet Pallet, 2012 Archival pigment inks on cotton and silk
12 x 19 in
Meat Locker, 2012Meat Locker, 2012 Archival pigment inks and watercolors on silk, steel (hung in front of elevator)
93 x 88 in
Useless tool, communal cup and friends, 2012 Useless tool, communal cup and friends, 2012 Glazed ceramic, gelled emollient, artists pedestal, shrink wrap
46 x 60 x 12 in
          Bredestal, 2012 Bredestal, 2012 Archival pigment inks on silk, mirrored plexiglas, toilet paper
40 x 14 x 14 in
Lox, 2010Lox, 2010 Archival pigment inks on cotton
72 1/2 x 58 in
     Sardines, 2012Sardines, 2012 Archival pigment inks on cotton
55 x 40 1/2 in
Sardine Luggage, 2012Sardine Luggage, 2012 Luggage, cans, archival pigment inks on cotton, shrink wrap
41 x 14 1/2 x 12 inches
     Seasoned, 2011 Seasoned, 2011 Archival pigment inks on silk
39 x 32 in
Silodka, 2010  Silodka, 2010 Fiber react dye on silk, muslin
67 x 43.5 in
   White Columns/ 179 Canal Anyways install, 2010 Still Life 5, 2011 Still Life 5, 2011 Archival pigment inks on silk with cotton backing
40 x 28 in
Cleaning Companion 2, 2011 Cleaning Companion 2, 2011 Heat transfer and iron oxide on canvas
40 x 30 in
Still Life 7, 2011Still Life 7, 2011 Archival pigment inks on silk with cotton backing
40 x 26 in
   Showroom installation, Alisa Baremboym with Skúta Helgason Still Life 8, 2011Still Life 8, 2011 Archival pigment inks on silk with cotton backing
40 x 28 in
   179 Canal Installation, 2010 Untitled, 2010Untitled, 2010 Custom print on cotton, pigment print, plexi, hardware
67 x 49 inches each
Chuchela, 2010Chuchela, 2010 Archival inkjet print
44 x 66 in
Untitled, 2010Untitled, 2010 Archival inkjet print
18 x 12 inches
179 Canal Install179 Canal Install Custom textile, international foods, vitrine    Neither For a Village Nor For a City, 2009 Screensaver, 2009Screensaver, 2009 Projection, screen, metal hardware Neither For a Village Nor For a CityNeither For a Village Nor For a City Muslin, house paint & collage Chuchela, 2009 Chuchela, 2009 Acrylic on inkjet prints      Buckwheat Chuchela, 2009Buckwheat Chuchela, 2009 Buckwheat & acrylic on canvas
30 x 24 in

Trading House Moscow, 2008 Trading House Moscow, 2008 Oil on shrink wrapped canvas
40 x 30 in